I wish that director Brad Peyton’s Journey 2: The Mysterious Island
had been an amazing adventure film. I also wish that it was so
remarkably terrible that it managed to become entertaining. Instead, the
movie is set firmly in the middle, neither good nor bad, but also
instantly forgettable.
Picking up a while after the events of Journey To The Center of the Earth,
the story begins with Sean Anderson (Josh Hutcherson) living the life
of a rebel, breaking into local satellite facilities and running from
the cops on his motorcycle. While he’s partially doing it to act out
against his mother’s new boyfriend, Hank (Dwayne Johnson, who steps in
for Brendan Fraser in the sequel),
he’s also on a quest to find his
grandfather, the renowned adventurer Alexander Anderson (Michael Caine).
With some help from Hank, Sean is able to decode a transmission from
his grandfather and learns that the legendary Mysterious Island, as
written about by Jules Verne, actually exists. Traveling with a
helicopter pilot, Gabato (Luis Guzman), and the pilot’s daughter,
Kailani (Vanessa Hudgens), Hank and Sean travel to the Mysterious Island
and have the adventure of a lifetime.
While Journey 2 passes without a central villain – the island
itself is really the only thing throwing up roadblocks for the
characters – there’s no point where you feel as though the characters
are actually being threatened or are in any kind of real danger (and not
just because it’s a family film). After arriving on the island, the
gang learns that they must leave because the whole thing is sinking into
the ocean. But at no point do we ever feel a real time crunch, as the
characters immediately figure out how they will get off the island and
are constantly stopping to deal with relationship issues between each
other (be it Alexander’s dislike of Hank, Sean’s crush on Kailani, or
Gabato’s quest to send his daughter to college) and don’t really seem
too worried. How stressed about their survival could they be if they are
taking breaks to show off “the pec pop of love” and sing “It’s A
Wonderful World” around a campfire?
The movie is filled to the brim with CGI, and when you consider how
computer technology has advanced in the last decade alone, it actually
comes as a surprise how shoddy everything looks. While part of
production was on-location in Hawaii, it’s remarkably easy to tell the
difference between what’s real and what’s not, as all of the fake things
in the environment have a strange plastic sheen on them. Also, the
giant creatures that the group encounters, including lizards, birds and
bees, all look terribly unrealistic, which hurts when the audience is
meant to be scared of them. It’s never a good sign when it’s just as
easier to imagine the actors running in front of a green screen than
them running across the terrain of the Mysterious Island.
It’s quite obvious that Journey 2 is aimed at children, but the
result is that adults are going to be stuck bored and rolling their
eyes for 94 minutes. The strange pacing will appeal to the shortest of
attention spans and the youngest in the crowds likely won’t even
recognize how fake the environments are. The film’s humor comes almost
exclusively from Luis Guzman, but it’s all so immature (jokes about
smelly armpits, lame slapstick humor, etc.) that it will inspire more
face-palms than laughs from the grown-up members of the audience. While
Johnson is usually a blast to watch – particularly in action films –
he’s watered in this title to the point that he’s barely recognizable.
It isn’t a bad thing that the movie knows who is going to enjoy the
story and who isn’t, but it’s only fair that the parents be warned
before entering the theater.
By the end of the year, not only will Brad Peyton’s latest movie not be
making my year-end lists, but I may completely forget that I saw it. In
fact, it’s a film that is neither entertaining nor terrible enough to
remember beyond the five minutes it takes you to exit the local cinema
and it’s not going to affect anyone’s career in a significant way. Journey 2: The Mysterious Island is a title that just happens to exist.
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